

#Hercules one last hope movie
However you see it, Hercules is very highly recommended movie viewing. (Note that if you were to draw a pair of glasses on him, Hades - the devil - would look an awful lot like Jeffrey Katzenberg, with whom the directors had to make a deal in order to allow Treasure Planet to be made.) He is as menacing, disgusting, and evil as any other Disney baddie, but he too is hilarious instead of frightening. It's also worth mentioning that instead of going the usual scary route with their villain, the filmmakers have made Hades hateable in a completely different way. The opening joke is priceless, and the movie is one of the funniest ever produced by the studio.
#Hercules one last hope free
The story is solid and engaging the pacing brisk and breathlessly fast the characters likeable and/or hateable, the animation stylized and gorgeous the music catchy, gospel, and effective and the comic view of Greek mythology along with the free adaptation of it is refreshingly welcome, even moreso having read a Greek epic. Sure, it's not quite up there with The Lion King but there's a lot to like about Hercules and it is a fine, funny entry into the Disney animated classics canon. The key to his success - or demise - is in his love for the beautiful Meg (Susan Egan.) Can he go the distance and become Phil's all-time champ, or will his one weakness make him the all-time chump? To do so, he must prove himself a true hero on Earth With the help of his personal trainer Phil (Danny DeVito) and his winged horse Pegasus, as well as the encouragement and support of his father, Zeus (Rip Torn) he defeats monster after monster with no apparent weakness. Once a troubled young man shunned by the community because of his uncontrollable strength, he has now discovered the truth of his origins and is on a quest to have his godhood restored so he can go home to Mount Olympus. …And - speak of the devil - shortly before Hades begins to move his plans into action, Hercules reappears. But only part of the plan was successfully carried out - Hercules was kidnapped and turned mortal keeping only his godlike strength, but discovered before the job could be finished. Hades sends his bumbling minions Pain and Panic to murder the toddler when the Three Fates reveal that he's the only one who can stand in the way of his takeover plans, assumes him dead, and continues plans for his uprising. Even though Katzenberg was fired before Musker and Clements had finished directing the required bankable picture, company execs held up their part of the deal once Musker and Clements had finished theirs.) Their "bankable picture" was Hercules, a comical epic of Ancient Greece's golden age of powerful gods and extraordinary heroes.įive musical muses tell us the story of Hercules (Tate Donovan), son of the gods. (For the record, eventually they did get to make Treasure Planet. Otherwise, he would never allow them to chart a course for Treasure Planet while he was with the studio. Then, they would finally be able to make their dream project. Then-studio head Jeffrey Katzenberg didn't believe in the project and told them to do one more bankable project first. They still wanted to cast off for Treasure Planet, but despite Aladdin being the #1 animated film ever (at the time) and the first to cross the $200 million mark, they didn't have that privilege. So, with Hans Christian Andersen and Arabian nights already under their belt, what were they to do next? It seemed impossible for these veteran directors to top themselves again, but when their attempts to set sail for a space version of Robert Louis Stevenson's coveted island were once again rejected by the studio, they waded into the troubled production of Aladdin, worked their magic and turned it into another rousing hit. Their tale had it all - romance, magic, drama, action, and irresistible music. Next, they pitched two projects: The Little Mermaid and " Treasure Island in space." In the former, they dived under the sea to give voice to a little mermaid who dreamed of something more and restored Walt Disney Feature Animation to its former glory. (It was the first Disney animated feature to extensively use computer graphics, with which the climactic Big Ben sequence was created.) Although all the studio's hopes were laid on the expensive 1985 epic The Black Cauldron (which bombed at the box office and was pulled from theatrical release after just two weeks) it was Musker and Clements who put Disney back on the right track with their 1986 mystery adventure The Great Mouse Detective. Two of the most gifted people to ever work in the field of animation, they helped usher in the Third Golden Age of Disney feature animation. The names Ron Clements and John Musker may not be world-famous, but their movies are.
